She studies the garment in two and three dimensions, including the kimono jacket, which resonates the gentle dyer, which created the Dyropletot and Dyrokot for autumn-winter 1957, designed to be worn on Kimono, honoring its shape. Then, in the ongoing interaction of the motivations and references that define fashion, an album that develops a journey to Japan – where Mark Bohan’s Dyer Model was unveiled in Tokyo in 1971 – proposes a dialogue with the characters who mesmerized the Japanese theater.
This imaginary cartography also includes exhibition Love Fashion: in Search of Yorself, the creative director of the dyer women’s lines seen in Kyoto. This compelling Odissi faces two separate fashion cultures, which is to express the unique attitude of bodies and complexity of emotions that infect them through clothing cuts, discover the basic subjects of body, identity and desire.
For Dyer Fall 2025, Maria Grazia Chiuri discovered cultural dress through a dialogue between the French and the Japanese traditions. Inspired by historical designs from Kimono and Dyer, she mixes dramatic elements, Kyoto exhibitions and Mark Bohan’s legacy. The collection includes coats, silk fabrics, floral prints, and golden embroidery, identity, feeling and desire covers.
It gives birth to jackets and coats with generous, envelope lines, sometimes belts. Clothing becomes precious objects through their silk fabric and a Japanese garden sketch that are accompanied by silhouettes. Wide pants and long skirts are unaware of every step and movement.
It is a metamorphic collection, where black remains intense, dark; Where the panoramic story of the floral pattern becomes a print in itself; And where the torture of the Golden Embroidery expresses the amazing desire that always flows through fashion and its creators.
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Fibre2fashion News Desk (RM)
